{"id":700,"date":"2015-02-16T14:01:03","date_gmt":"2015-02-16T14:01:03","guid":{"rendered":"http:\/\/microsites.ifagiolini.com\/betrayal\/?p=700"},"modified":"2015-03-31T09:39:08","modified_gmt":"2015-03-31T09:39:08","slug":"merely-weird","status":"publish","type":"post","link":"https:\/\/microsites.ifagiolini.com\/betrayal\/merely-weird\/","title":{"rendered":"Merely weird?"},"content":{"rendered":"<p><strong>Thoughts on Gesualdo and his music: part six<br \/>\n<\/strong><br \/>\n<em>Robert Hollingworth<\/em><\/p>\n<p>Rehearsing such pieces, one is struck by the extremely fine craftsmanship involved, but their realisation is like putting Escher drawings into 3-D, impossibilities seemingly held together in physical space through art (like Arthur Dent\u00e2\u20ac\u2122s thrown Nutrimatic drinks machine cup in Douglas Adams\u00e2\u20ac\u2122 \u00e2\u20ac\u02dcHitchhiker\u00e2\u20ac\u2122s Guide to the Galaxy\u00e2\u20ac\u2122). The tuning challenges they present might lead one to an equal temperament approach to make the the chromatic shifts easier: yet only by aiming for pure acoustic intervals (called just intonation) at every step does the sheer brilliance of the chromaticism, the colour, come into focus. This requires a mental virtuosity quite apart from the vocal virtuosity that is sometimes required.<\/p>\n<p>And yet, and yet, and yet\u00e2\u20ac\u00a6 There\u00e2\u20ac\u2122s a worry at the back of my mind. Is Gesualdo\u00e2\u20ac\u2122s secular music anything more than a series of extraordinary moments? \u00e2\u20ac\u02dcIs this great music or merely weird?\u00e2\u20ac\u2122, as my university tutor, John Milsom, said in a review of Gesualdo\u00e2\u20ac\u2122s sacred music many years ago. (I had said something similar to him if cruder on being introduced to the madrigals just before.) I suppose, in the end, it is what it is: exteme in expression and highly harmonically advanced at a time and in a place where such things were prized (and very hard to sing). Elsewhere, Marenzio\u00e2\u20ac\u2122s music was valued for the opposite reason: it was manageable to sing and very sweet to listen to.<\/p>\n<p>Gesualdo\u00e2\u20ac\u2122s music is without question intriguing, way ahead of its time, while still being of it. It will probably still be performed in another 400 years and even then will benefit from singers who can sing pure thirds.<\/p>\n<p><em>The earlier posts on this subject from Robert can be found here: <a title=\"Dead end?\" href=\"http:\/\/microsites.ifagiolini.com\/betrayal\/deadend\/\">1<\/a>, <a title=\"Sharp objects\" href=\"http:\/\/microsites.ifagiolini.com\/betrayal\/sharp-objects\/\">2<\/a>, <a title=\"Spare keys\" href=\"http:\/\/microsites.ifagiolini.com\/betrayal\/spare-keys\/\">3<\/a>, <a title=\"Cutting edge\" href=\"http:\/\/microsites.ifagiolini.com\/betrayal\/cutting-edge\/\">4<\/a>, <a title=\"Alluring women\" href=\"http:\/\/microsites.ifagiolini.com\/betrayal\/alluring-women\/\">5<\/a><\/em><\/p>\n<div style=\"padding-bottom:20px; padding-top:10px;\" class=\"hupso-share-buttons\"><!-- Hupso Share Buttons - https:\/\/www.hupso.com\/share\/ --><a class=\"hupso_toolbar\" href=\"https:\/\/www.hupso.com\/share\/\"><img decoding=\"async\" src=\"https:\/\/static.hupso.com\/share\/buttons\/share.png\" style=\"border:0px; padding-top: 5px; float:left;\" alt=\"Share Button\"\/><\/a><script type=\"text\/javascript\">var hupso_services_t=new Array(\"Twitter\",\"Facebook\",\"Google Plus\");var hupso_background_t=\"#EAF4FF\";var hupso_border_t=\"#66CCFF\";var hupso_toolbar_size_t=\"big\";var hupso_image_folder_url = \"\";var hupso_twitter_via=\"ifagiolini\";var hupso_url_t=\"\";var hupso_title_t=\"Merely%20weird%3F\";<\/script><script type=\"text\/javascript\" src=\"https:\/\/static.hupso.com\/share\/js\/share_toolbar.js\"><\/script><!-- Hupso Share Buttons --><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Thoughts on Gesualdo and his music: part six Robert Hollingworth Rehearsing such pieces, one is struck by the extremely fine craftsmanship involved, but their realisation is like putting Escher drawings into 3-D, impossibilities seemingly held together in physical space through art (like Arthur Dent\u00e2\u20ac\u2122s thrown Nutrimatic drinks machine cup in Douglas Adams\u00e2\u20ac\u2122 \u00e2\u20ac\u02dcHitchhiker\u00e2\u20ac\u2122s Guide to [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":707,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,12,19],"tags":[13,20],"class_list":["post-700","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-creative-process","category-history","category-music","tag-gesualdo","tag-renaissance-music"],"_links":{"self":[{"href":"https:\/\/microsites.ifagiolini.com\/betrayal\/wp-json\/wp\/v2\/posts\/700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/microsites.ifagiolini.com\/betrayal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/microsites.ifagiolini.com\/betrayal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/microsites.ifagiolini.com\/betrayal\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/microsites.ifagiolini.com\/betrayal\/wp-json\/wp\/v2\/comments?post=700"}],"version-history":[{"count":5,"href":"https:\/\/microsites.ifagiolini.com\/betrayal\/wp-json\/wp\/v2\/posts\/700\/revisions"}],"predecessor-version":[{"id":849,"href":"https:\/\/microsites.ifagiolini.com\/betrayal\/wp-json\/wp\/v2\/posts\/700\/revisions\/849"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/microsites.ifagiolini.com\/betrayal\/wp-json\/wp\/v2\/media\/707"}],"wp:attachment":[{"href":"https:\/\/microsites.ifagiolini.com\/betrayal\/wp-json\/wp\/v2\/media?parent=700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/microsites.ifagiolini.com\/betrayal\/wp-json\/wp\/v2\/categories?post=700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/microsites.ifagiolini.com\/betrayal\/wp-json\/wp\/v2\/tags?post=700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}